Filming & production

Filming, lighting & audio.

I’m happy lighting an interview or following people around with a camera. Weddings taught me to move quickly and work with the light I have. Years of editing taught me what I need to bring home from a shoot.

15+ years of experience, with my own cameras, lighting, and audio equipment. I can handle the production or join your crew.

See the work ↓Shoot days & equipment ↓

On location / Chasing Scratch

Following the round and the story.

I filmed The 7th Final Major solo, covering the match, player conversations, and on-course commentary. I also did the full edit, bringing in podcast excerpts to give the round its backstory.

More Chasing Scratch work ↗

Chip Dizard · Showit’s Free to Be Me series

Controlled interview / Showit

Two matching angles in a conference room.

Cinematography, lighting, audio, and post. I built the setup around the windows, controlled the light, and framed out the busy coworking space.

Made with James Nwobu, who led the interviews.

See the setup and filmmaking breakdown

My lighting and audio positions in the room.

More production examples: crew work and small spaces

The Heights Church set with three cameras, lighting, and a production crew

Three cameras. A 10-person crew.

The Heights / Camera setup and lighting. I handled camera placement, lenses, matching, and exposure, supplied lighting, and helped direct on-camera delivery.

See the multicamera set

Other crew members handled audio, teleprompter, and monitoring. My role also included lighting collaboration and behind-the-scenes photography.

The presenter lit against the LED wall — The lighting in place.

The crew preparing another take — Preparing a take with the team.

A classroom turned into an interview set.

Third Church / Cameras, lighting, audio, and edit. I brought my equipment and built a two-camera setup within the available space.

See the camera angles and room

More interview and lighting examples

Natalie Franke / Showit. My cameras, lighting, and audio kit, arranged for two matching interview angles in her home.

My equipment and setup in Natalie’s home.

Freelance shoot days & DP services

Join your crew or handle the production.

Camera & Field Production

Join an existing crew or handle lighter coverage with a camera and audio package suited to the job.

Creator, event, and documentary coverage
Interviews, B-roll, and additional camera
Work within your production plan and workflow

DP & Full Production

I can plan and run the camera and lighting setup, bringing the audio, grip, monitoring, and timecode equipment we need.

Location planning, camera placement, and lenses
Interview lighting and multicamera setups
Coordinate the equipment and crew requirements

Half-day, full-day, and project-based inquiries. We’ll agree on equipment, additional crew, and travel based on the production’s needs.

Discuss a shoot ↗

Camera, lighting & audio equipment

Equipment

My own production kit.

I own the cameras, lighting, audio, and support equipment to handle a range of productions. The package I bring depends on the shoot.

Cameras & support: Canon C70 and C50 cinema cameras, lenses, tripods, and stabilizers.
Lighting & grip: Professional lighting, modifiers, light control, grip, and C-stands.
Audio: Wireless lavs, boom microphones, and 32-bit float recording.
Monitoring & timecode: Wireless monitoring and timecode equipment to keep cameras and audio in sync.

A few of the creators & companies I’ve worked with